Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857 by Graves

(7 User reviews)   2044
By Abil Kile Posted on Dec 30, 2025
In Category - Adventure
Graves, Charles L. (Charles Larcom), 1856-1944 Graves, Charles L. (Charles Larcom), 1856-1944
English
Ever wondered what people really thought about Queen Victoria's England while they were living through it? This book gives you the answer, but not from a dusty textbook. It's a collection of cartoons and commentary from 'Punch' magazine, the Victorian version of a satirical Twitter feed. The main conflict isn't a single event—it's the constant, hilarious battle between the grand, serious ideals of the British Empire and the messy, funny reality of daily life. From political scandals to fashion fads, it shows how people used humor to cope with a world changing at breakneck speed. It’s history with the boring bits edited out.
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was the vice of rhetoric. They fell to the temptation of many words. They wrote too often as the tub-thumper speaks, without much self-criticism and with a too fervent desire to be heard immediately and at all costs." In the 'forties _Punch_ doubled the rôles of jester and political pamphleteer, and in the latter capacity indulged in a great deal of vehement partisan rhetoric. The loudest, the most passionate and moving as well as the least judicial of his spokesmen was Douglas Jerrold. The choice of dividing lines between periods must always be somewhat artificial, but I was confirmed in my decision to end the first volume with the year of the Indian Mutiny by the fact that it coincided with the death of Douglas Jerrold, who from 1841 to 1857 had, more than any other writer, been responsible for the Radical and humanitarian views expressed in _Punch_. My task would have been greatly simplified by the exclusion of politics altogether. But to do that would have involved the neglect of what is, after all, perhaps the most interesting and in many ways the most honourable phase of _Punch's_ history, his championship of the poor and oppressed, and his efforts to bridge the gap between the "Two Nations"--the phrase which was used and justified in the finest passage of Disraeli's _Sybil_, and which I have chosen as the title for the first part of the present volume. To write a Social History of England at any time without reference to the political background would be difficult; it is practically impossible in a chronicle based on _Punch_ in the 'forties and 'fifties. In the second part I have endeavoured to redress the balance. Here one recognizes the advantages of _Punch's_ London outlook in dealing with the Court and fashion and the acute contrasts furnished between Mayfair on the one hand and the suburbs and slums on the other. No attempt has been made to represent _Punch_ as infallible whether as a recorder, a critic, or a prophet. He was often wrong, unjust, and even cruel--notably in his view of Peel and Lincoln, and in his conduct of the "No Popery" crusade--though he seldom failed to make amends, even to the extent of standing in a white sheet over Lincoln's grave. But the majority of these confessions took the form of posthumous tributes. As for the gradual cooling of _Punch's_ democratic ardour, that may be attributed partly to the removal or remedying of abuses by legislation and the education of public opinion; partly to the fact that newspapers follow the rule of individuals, and tend to become more moderate as they grow older. The great value of _Punch_ resides in the fact that it provides us with a history of the Victorians _written by themselves_. This is no guarantee of the accuracy of the facts recorded. We have had painful proof in recent years that contemporary evidence, when based on hearsay, even though written down red-hot in a diary, is, to put it mildly, incapable of corroboration. But, as reflecting the nature and mood of the writer, contemporary evidence is always interesting. My aim has been to supply a critical commentary, and, where possible, to verify or correct the statements or judgments recorded in _Punch_. Acknowledgments of the various authorities consulted will be found in the footnotes, but I should like to express my special indebtedness to the _Dictionary of National Biography_; to the _New English Dictionary_; to _The Political History of England_, by Sir Sidney Low and Mr. Lloyd Sanders; to Mr. C.R. Fay's _Life and Labour in the Nineteenth Century_;...

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Forget dry dates and lists of prime ministers. This book is history through a funhouse mirror. It collects the best cartoons and witty articles from the first 16 years of 'Punch' magazine, covering everything from the early days of Queen Victoria's reign to the chaos of the Crimean War. The 'plot' is the story of a nation figuring itself out, told by its sharpest comedians.

The Story

There's no main character except England itself. Each chapter tackles a different year, using 'Punch's' pages to show what was making people laugh, groan, and argue. You'll see cartoons mocking politicians, poems about newfangled railways, and jokes about the Great Exhibition. It follows the public mood from the optimism of the 1840s to the grim reality of war in the 1850s, all filtered through a lens of brilliant, biting humor.

Why You Should Read It

This is the closest you'll get to time travel. Reading it, you don't just learn what happened; you feel the attitude people had about it. The satire reveals their anxieties about technology, their skepticism of leaders, and their stubborn national character. It makes these Victorians feel like neighbors—people who rolled their eyes at taxes and made memes about bad fashion, just like we do.

Final Verdict

Perfect for anyone who finds history stuffy or thinks the Victorians had no sense of humor (they did, and it was savage). If you enjoy political cartoons today, you'll love seeing their great-great-grandparents. It's a fantastic, humanizing companion to more traditional histories, proving that laughter is a timeless response to a confusing world.



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Linda Taylor
1 month ago

Simply put, the depth of research presented here is truly commendable. Exceeded all my expectations.

Ava Gonzalez
5 months ago

To be perfectly clear, it challenges the reader's perspective in an intellectual way. I learned so much from this.

Oliver Allen
3 weeks ago

I didn't expect much, but the plot twists are genuinely surprising. One of the best books I've read this year.

Sarah Smith
1 year ago

Not bad at all.

Betty Gonzalez
1 year ago

Great reference material for my coursework.

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